Even his official passport read ‘Frederick Mercury’, despite the fact that his birth name was Farrokh Bulsara.
Calling him anything but Freddie would not be well received, however - he started using the name ‘Freddie’ prior to ever arriving in England, and ‘Mercury’ when Queen first started.
This feature film plays a monumental role in the history of Tango.
In 1936, he returns with the family to Mar del Plata, Argentina for good, where Astor begins to play in some tango orchestras.
In 1933 he studies with the Hungarian pianist Bela Wilda, disciple of Rachmaninov, and of whom Astor would later say With him I learned to love Bach.
Shortly thereafter, he meets Carlos Gardel who becomes a good friend of the family and with whom he takes part in the movie El Dia Que me Quieras, playing a brief part as a newspaper boy.
Mercury didn’t consider himself a particularly great pianist.
As a result, he always dreaded performing ‘Bohemian Rhapsody’ () in concert because he worried he would mess up on the piano in the process.
Stephen Gingold Nature Photography website: sggphoto.wordpress.com/ Facebook page:
In 1929, when Astor is 8 years old, his father gives him his first bandoneon which he had bought at a pawn shop for 19 dollars.
Astor studies the bandoneon for one year with Andrs Dquila and he makes his first record, Marionette Spagnol; a phonograph disk (non commercial) at the Radio Recording Studio in New York on 11/30/1931.
Botti arrived at Atlanta’s Symphony Hall on Friday night in an attempt to recreate the alchemy he had found years ago in Boston, yet with a different ensemble of guest artists accompanied by the Atlanta Symphony Orchestra under the direction of conductor Albert-George Schram.
Playing on a 1939 Martin Committee Handcraft Large Bore, Botti opened with Ennio Morricone’s theme “Gabriel’s Oboe” from The Mission in duet with violinist Caroline Campbell.